The Roots release ‘The Tipping Point,’ their sixth album (2004)
The Roots‘ ‘The Tipping Point’ is their sixth studio album released July 13, 2004 by Geffen / Interscope Records.
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The Roots‘ ‘The Tipping Point’ is their sixth studio album released July 13, 2004 by Geffen / Interscope Records.
Benson Boone’s “Mr Electric Blue” pokes fun at music biz debt, while Ed Sheeran’s “Drive” brings racing energy with help from John Mayer and Dave Grohl. Lorde opens her album with “Hammer,” mixing gender identity themes and synth tension. Ariana Grande’s “Twilight Zone” leans cinematic post-breakup, and Kid LAROI sticks to choreo-heavy pop with “How Does It Feel?” MORE
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Joe Jackson, Heaven 17, Elvis Costello & The Attractions, Frida, Foreigner, Orchestral Manoeuvres In The Dark, Chris Rea, Carly Simon, T'Pau, Anita Baker, Will Downing, Bee Gees
French rapper Kadja strikes a sharp tone with “Tu Dis Quoi,” while IDK’s “xcx” layers introspective Romanian verses over sparse beats. Adofo’s “Rifle Power” fuses dancehall with trap tension, and Le Crime’s “White” delivers clipped flows and polished urban minimalism. MORE
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Dionne Warwick‘s ‘Dionne’ is an album (and her best seller ) produced By Barry Manilow and released in May, 1979 by Arista.
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This day ( April 21, 2016), in Smithville, Tennessee, died Lonnie Mack, an American rock, blues, and country guitarist and vocalist
Memphis . Wham! . Why . Stop . Oreo Cookie Blues . Chicken Pickin’ . Strike Like Lightning . If You Have to Know . I’ll Keep You Happy . Satisfy Suzie .
‘Tracy Chapman‘ feat. ‘Talkin’ ‘Bout A Revolution’ & ‘Fast Car’ is her eponymous debut album released on April 15, 1988 by Elektra.
This day (April 11, 1966), in Heywood, Lancashire, England, is born Lisa Stansfield an English singer. (more…)
Annie Lennox, Katie Melua, Mariah Carey, Joe, 98 Degrees, James Blunt, Natalie Imbruglia, Sade, Blue, All Saints, JoJo , Ricky Martin, Melanie B, Jamiroquai
Robert Plant‘s ‘Now and Zen’ is his fourth solo album released on February 29, 1988 by Es Paranza.
"Amour Sacré" reunites Fabregas le Métis Noir and Deplick Pomba, blending soukous and ndombolo with intricate guitar work. Fabregas, founder of Wanted Record, continues shaping the Congolese scene, while Deplick adds flair to their album "Les Inséparables."
Héritier Wata’s "The Big Bollard" merges Congolese rumba and modern production, reinforcing his rhythmic complexity post-Wenge Musica Maison Mère. Roberto’s "Bestie (Muntu Wanga)" fuses Afro-Pop and R&B, celebrating friendship with a Bemba title.
Updated : Mar 18,2025Rachid Taha’s electrifying "Voilà Voilà" fuses techno with North African rhythms, delivering a fierce anti-xenophobia anthem, while Altern-8’s "Frequency" channels ‘90s rave chaos with breakbeats and gas-mask theatrics. Johnny Clegg’s "Cruel Crazy Beautiful World" blends optimism with South African roots, and Garland Jeffreys’s "Hail Hail Rock 'n' Roll" examines race in rock history, mixing raw energy and critique. "Piano Fantasia - Song for Denise" captures Italo-disco’s nostalgic charm, and The Shamen’s "Heal (The Separation)" shifts rave euphoria into introspection with hypnotic synth pulses.
The Byrds‘ ‘Younger Than Yesterday’ is their fourth album featuring ‘So You Want to Be a Rock ‘n’ Roll Star’ and released on February 6, 1967 by Columbia Records.
Lisa Stansfield‘s ‘Seven’ is her seventh studio album (her first in ten years) released on January 31, 2014 by Monkeynatra.
Mis-Teeq’s “Why?” evolves from Latin-infused R&B to UK garage gold with a remix featuring Alesha Dixon’s fiery rap, hitting #8 on UK charts. Jaimeson’s “True” blends garage and drum and bass with raw, underground grit, peaking at #4. Basement Jaxx’s “Good Luck” pairs Lisa Kekaula’s booming vocals with orchestral drama, while Fatboy Slim’s “Demons,” featuring Macy Gray, leans introspective with big beats. The Roots’ “Don’t Say Nuthin’” keeps it minimal and sharp, while N-Dubz’s “Strong Again” offers a heartfelt mix of pop and hip-hop. Jay-Z’s nostalgic “Girls, Girls, Girls” flaunts vintage warmth, and OPM’s “El Capitan” brings carefree party vibes. Roni Size’s “No More” finds balance between Beverley Knight’s soulful elegance and Dynamite MC’s rapid-fire delivery. Iconic tracks like these defined their genres while hinting at creative experimentation.
Donell Jones’ "U Know What’s Up" blends smooth vocals with a bouncy R&B groove, bolstered by Lisa "Left Eye" Lopes' playful guest verse. Missy Elliott’s "Hot Boyz," with Timbaland’s stripped-down production, flaunts late-'90s bravado. Macy Gray’s emotive "I Try" conveys heartbreak with raw authenticity, while Whitney Houston’s "I Learned from the Best" pairs vocal restraint with glam production. TLC’s "Dear Lie" offers reflective tension, and Neneh Cherry’s "Buddy X ’99" transforms into a UK garage anthem. Gabrielle’s "Sunshine" sparkles with nostalgic warmth, and Nas’ "Nastradamus" walks a fine line between grit and self-indulgence. Through these tracks, 1999 vividly reflects R&B, hip-hop, and genre-blurring experimentation.
K2 Family’s "Bouncing Flow" captures early 2000s UK garage grit with jittery beats, while More Fire Crew’s grime-infused "Oi!" bursts with raw energy and a rare mainstream breakout. Mis-Teeq’s "Why" teeters between R&B polish and garage credibility, hitting its stride in its Matt "Jam" Lamont remix. Vanessa Hudgens’s "Come Back to Me" blends R&B pop with Player's sample, balancing nostalgia and sleek production, and Ferry Corsten’s *Right of Way* disrupts trance norms with tracks like "Rock Your Body, Rock" and "Punk," blending electro swagger and unruly riffs.
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