Monthly Vintage Music Chart Highlights: Top 20 Tracks Across 29 Genres Apr 30, 2025 edition
April’s vintage charts show minimal disruption, with only a few new entries—New Edition, XTC, Machine Head, and Kodak Black—shuffling into established rankings. Most top tracks hold firm
Me:nu Du Jour May 4 (EN.FR.ES)
>> EN FRANCAIS | >> EN ESPAÑOLTODAY We Listen To Bill Withers, Dionne Warwick, Frank Zappa, Isley Brothers, Stevie Wonder, PJ Harvey, Deftones, The Cure, Mumford & Sons, Echo & The Bunnymen, X, John…
This week In ’80s Throwback’ 18/52
Bob Seger, Huey Lewis & The News, The Cure, George Michael & Smokey Robinson, The Stone Roses, Tom Petty And The Heartbreakers, The Smiths, Genesis, Judy Collins, Engelbert Humperdinck
‘Look Ma, No Mike!’ N°33 – Vintage 80s Music Videos
Joan Jett, The Wonder Stuff, Elvis Costello & The Attractions, Paul King, Eddy Grant, Graham Parker, Paul Mccartney & Stevie Wonder, Rock Goddess, The Smiths, Mike + The Mechanics, The Weather Prophets, Lloyd Cole And The Commotions
Monthly Vintage Music Chart Highlights: Top 20 Tracks Across 29 Genres Apr 1, 2025 edition
This month’s blog post dives into the evolving landscape of 29 genre-based charts, highlighting standout tracks and artist movements across Big Beat, Garage Rock, R&B, Post-Punk, and more. From new entries by Angie Stone and Tiësto to reshuffles featuring Fatboy Slim and The White Stripes, the charts reflect continued engagement with classic and contemporary favorites.
‘Look Ma, No Mike!’ N°24 – Vintage 80s Music Videos
The The, Latin Quarter, The Smiths, Then Jerico, A Flock Of Seagulls, The Faith Brothers, Michael Bolton, T'Pau, Van Halen, Style Council, Labi Siffre, Rod Stewart
Me:nu Du Jour February 20 (EN.FR.ES)
>> EN FRANCAIS | >> EN ESPAÑOLTODAY We Listen To Steely Dan, Tricky, George Harrison, The Smiths, Sepultura, Tangerine Dream, McCoy Tyner We Celebrate Kurt Cobain, Nirvana, Rihanna, Ian Brown, Stone Roses, Ibrahim Ferrer,…
Rough Trade publish ‘The Smiths,’ their debut eponymous featuring ‘What Difference Does It Make?’ (1983)
‘The Smiths‘ is their debut eponymous studio album recorded in 1983 and released on February 20, 1984 by Rough Trade.
This week In ’80s Throwback’ 08/52
Huey Lewis & The News, Jennifer Rush, Siouxsie And The Banshees, The Stranglers, Lou Reed, Japan, The Smiths, Robin Trower, Black Sabbath, George Thorogood, Dr. John, Manhattan Transfer
‘L’Amour Toujours’ N°313 – Vintage 80s Music Videos
V Capri's "Haunting Me" merges mid-'80s Australian new wave flair with emotive vocals and glossy production, peaking locally at No. 1 in Perth but struggling to make a broader impact. When in Rome’s "The Promise," born out of low-budget ingenuity, became an ’80s pop staple with its melancholic keyboard lines and mid-chart success on both Billboard and dance charts, later revitalized through covers and film appearances like *Napoleon Dynamite*.
The Smiths’ "What Difference Does It Make?" delivers biting lyrics alongside Johnny Marr’s jangly guitar, marking an early standout in their catalog with its philosophical edge and chart presence. Meanwhile, Prefab Sprout’s "Johnny Johnny" hints at the band’s lyrical finesse but lacks the commercial staying power of their bigger hits. Fra Lippo Lippi balances melancholy and pop accessibility in "Shouldn’t Have to Be Like That," showcasing an understated charm that resonated across parts of Europe.
Me:nu Du Jour February 11 (EN.FR.ES)
>> EN FRANCAIS | >> EN ESPAÑOLTODAY We Listen To Erykah Badu, Luther Vandross, Michael Bublé, The Smiths, Jethro Tull, The Bad Plus, Sonny Rollins We Celebrate D’Angelo, Sheryl Crow, Brandy, Sérgio Mendes, Whitney…
Rough Trade publish The Smiths’ second album : ‘Meat Is Murder’ (1985)
The Smiths‘ ‘Meat Is Murder’ is their second studio album released on February 11, 1985 by Rough Trade Records.
‘Look Ma, No Mike!’ N°10 – Vintage 80s Music Videos
The Jam’s "Absolute Beginners" blends mod revival with introspection, while The Smiths’ "Shoplifters of the World Unite" pairs Morrissey’s wit with Marr’s textured guitars. The Sundays’ "Can’t Be Sure" offers airy vocals and jangly guitars, and Ultravox energizes with "One Small Day." Dionne Warwick, Elton John, and Stevie Wonder unite for "That’s What Friends Are For," balancing big names with heartfelt simplicity.
This week In ’80s Throwback’ Videos 06/52
Van Halen's "She's the Woman" bridges 2012 and the '70s with Eddie’s inventive guitar work and David Lee Roth’s charismatic but patchy vocals. Meanwhile, Metallica's "Creeping Death," driven by its thrash energy and iconic “Die Die Die!” chant, thrives as a live staple while turning biblical narrative into an arena anthem. Soundgarden's "Spoonman" melds gritty spoon solos with shifting time signatures, showcasing their experimental edge.
Aerosmith’s "Walk This Way" pairs Perry’s swaggering riff with Tyler’s playful storytelling, earning new life in their Run-DMC collaboration. Pantera’s "Walk" delivers a no-nonsense, riff-heavy punch with Anselmo’s confrontational lyrics, cementing its place in metal history. Guns N' Roses’ "Civil War" critiques human conflict with emotional gravity, blending haunting whistling and sharp lyrics into a sprawling rock statement.
Me:nu Du Jour February 4 (EN.FR.ES)
>> EN FRANCAIS | >> EN ESPAÑOLTODAY We Listen To Janet Jackson, Fleetwood Mac, James Blake, Echo & the Bunnymen, George Benson, Tony Bennett, Charles Mingus, Miles Davis, Duke Ellington We Celebrate Karen Carpenter,…
Monthly Vintage Music Chart Highlights: Top 20 Tracks Across 15 Genres Feb 2, 2025 edition
This month’s vintage music charts bring updates across a variety of genres. From Armand Van Helden maintaining his top spot in Big Beat to Cast claiming first place in Britpop, the rankings reflect both stability and fresh additions.
Notable new entries include Death From Above 1979’s “Romantic Rights” in 2000s Garage Rock and Kendrick Lamar & SZA’s “All The Stars” in 2010s R&B. Check out the full breakdown of this month’s biggest movers and fresh additions.
This week In ’80s Throwback’ 05/52
Guns N’ Roses give Dylan’s “Knockin’ on Heaven’s Door” swagger and spectacle, with Slash’s electrifying solos and a gospel choir turning it into a live eulogy. Billy Idol’s “Rebel Yell” channels 80s excess through snarling riffs and defiant energy, while Alice Cooper’s “School’s Out” doubles as a rebellious anthem of teenage freedom. Blondie’s pop-reggae spin on “The Tide Is High” highlights their genre-bending charm, and Prince’s “Controversy” pairs funk grooves with bold provocations on identity and society. Santana’s “Deeper, Dig Deeper” dives into fusion chaos, and Leonard Cohen’s ominous “First We Take Manhattan” balances dark humor with synth-layered intensity. Cocteau Twins’ “Wax and Wane” adds a metallic edge to their ethereal roots, while Art of Noise’s “Close (to the Edit)” disrupts pop with experimental absurdity.