Jonas Hellborg, Shawn Lane & Jeff Sipe meet for Earth Day Celebration (2002)

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Jonas Hellborg, Shawn Lane are on Swedish TV with Indian percussionists (2003)

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Hellborg, Lane and Marchesini visit India (2003)

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This week In Guitar Virtuosi 07/52

Pat Metheny’s reworking of Carly Simon’s "That's The Way I Always Heard It Should Be" transforms its emotional weight into intricate instrumental nuances, highlighted by the unique 42-string Pikasso guitar. Shawn Lane’s "Rice with the Angels" takes a more chaotic yet cohesive approach, blending fusion and jazz elements in a raw, immersive live performance alongside Jonas Hellborg and Jeff Sipe, creating a soundscape that's both intense and intricate.

Rory Gallagher injects lively storytelling into "Secret Agent" from his 1976 album "Calling Card," pairing cheeky themes with energetic slide guitar, while Eric Clapton and Jeff Beck's live duet on "Little Brown Bird" showcases subtle blues interplay over showy technique. Steve Hackett’s "Every Day" balances personal gravity with prog-pop charm, highlighted by shifting guitar tones and thoughtful arrangements, making it a standout on his *Spectral Mornings* album.

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This week In Guitar Virtuosi 06/52

Michel Petrucciani’s take on Miles Davis’ "So What" from a 1998 Stuttgart concert highlights its staying power, with Anthony Jackson’s steady bass and Steve Gadd’s subtle drumming anchoring restrained improvisation. Meanwhile, John Coltrane’s quartet version of "I Want to Talk About You" on *Soultrane* strips an old big-band tune to its emotional core, balancing reverence with hints of the freedom he’d later fully embrace.

Wayne Shorter’s "Starry Night" from *Without a Net* showcases conversational interplay within his quartet, while Chick Corea’s ambitious "Moseb the Executioner" merges diverse traditions despite feeling structurally dense. Dizzy Gillespie’s "A Night in Tunisia" pushes Afro-Cuban rhythms into bebop's restless energy, contrasting with Jimmy Smith’s warmer jazz-organ twist on "Honky Tonk," particularly live. Each track offers glimpses of its artist’s unique touchpoint in jazz history.

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Shawn Lane plays guitar in Hollywood (1993)

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Shawn Lane improvises in San Diego (2001)

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This week In Guitar Virtuosi 04/52

Pat Metheny reshapes Carly Simon's "That’s the Way I’ve Always Heard It Should Be" into a tender baritone guitar instrumental, while John Fahey’s “Old Southern Medley” weaves Americana with subversive nuance. Paco de Lucía’s “Antonia (Buleria Por Solea)” balances flamenco tradition with modern flair, and Tommy Emmanuel’s "Eva Waits" blends delicate fingerpicking with cinematic tension. Eddie Van Halen’s iconic "Eruption" redefined guitar solos, and Yngwie Malmsteen’s virtuosic "Far Beyond the Sun" revels in neoclassical theatrics. Stevie Ray Vaughan’s “Riviera Paradise” offers a jazz-tinged reprieve, while Joe Bonamassa’s “Never Give All Your Heart” delivers polished blues-rock. Shawn Lane’s "Improvisation 2" channels chaotic brilliance, and Charlie Hunter’s “Untitled Improvisation #2” merges groove and innovation, with James “Blood” Ulmer adding raw fusion to the mix in “Black Rock.”

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Jonas Hellborg, Shawn Lane & Jeff Sipe are in Atlanta (1996)

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