This week In Male Balladeers 22/52
Bryan Ferry, Paul McCartney, George Harrison, Dan Auerbach, Elvis Costello, Country Joe McDonald, Pokey LaFarge, Chris Cornell, John Hiatt, Kevin Godley, Graham Gouldman, Jeff Buckley, Bill Withers
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Bryan Ferry, Paul McCartney, George Harrison, Dan Auerbach, Elvis Costello, Country Joe McDonald, Pokey LaFarge, Chris Cornell, John Hiatt, Kevin Godley, Graham Gouldman, Jeff Buckley, Bill Withers
Hope, Oui 3, Freedom Williams, Anticappella, Intastella, Slacker, The Mojams, Mike Koglin, U96, Grace, 808 State, DJ Sakin & Friends
Jamiroquai, Rockers Hi-Fi, EYC, Double Trouble, Beats International, Adam Garcia, Cher, Groovezone, Carlton, Johnna, Grace Jones, Grace
Country Joe and the Fish’s ‘Electric Music for the Mind and Body’ is their debut album produced by Samuel Charters and released on May 11, 1967 by Vanguard
Alexia, Kid Creole & The Coconuts, D~Mob, Lisa Stansfield, Bus Stop, Sean Maguire, Solid HarmoniE, The Source, Love Decade, The Beloved, D:Ream, Grace
Grant Lee Buffalo’s ‘Fuzzy’ is their debut studio album produced by Paul Kimble, released on February 23, 1993 by Slash
Massive Attack’s "Unfinished Sympathy" melds orchestral strings and heartfelt vocals into a timeless trip-hop classic, while Aerosmith’s gritty "Eat the Rich" blends hard rock with biting satire. Deftones’ brooding "My Own Summer (Shove It)" captures raw alienation, and Korn’s "Freak on a Leash" delivers chaotic nu-metal angst. Jeff Buckley’s "Grace" shines with layered emotion, and Faith No More’s genre-defying "Epic" fuses rap, rock, and funk. Nirvana’s ferocious "Breed" channels grunge rebellion, as Guns N' Roses’ "Pretty Tied Up" bares the chaos of excess with a hypnotic sitar intro. Kid Rock’s "Only God Knows Why" shifts into introspection, and The Roots’ jazz-infused "Distortion to Static" prioritizes craft over commercial flair.
Harry Nilsson’s "Without You" turns Badfinger’s subtle original into an orchestral heartbreak epic, while Jeff Buckley’s "Hallelujah" strips Leonard Cohen’s masterpiece to raw emotional clarity. Elvin Bishop tips his hat to Jimmy Reed with "Honest I Do," as Nick Cave’s haunting "Red Right Hand" blends gothic tones with noir allure. Meanwhile, Simply Red’s "Something Got Me Started" injects sleek grooves into their ’90s dance-pop pivot.
Quincy Jones‘ ‘Q’s Jook Joint’ is an album (his first in six years) released on November 7, 1995 by Qwest.
U2‘s ‘All That You Can’t Leave Behind’ is their tenth studio album produced by Brian Eno & Daniel Lanois and released on October 30 2000 by Island.
Robbie Williams‘ ‘I’ve Been Expecting You’ feat. “Millennium” is his second studio album produced by Guy Chambers & Steve Power and released on October 26, 1998 by Chrysalis Records.
Oasis, The Music, Chase & Status, Supergrass, Eighties Matchbox B-Line Disaster, R.E.M., Avenged Sevenfold, Nightwish, The Veronicas, The Strokes, Nine Days, LCD Soundsystem
Dreadzone, Candy Girls, Tina Turner, Culture Beat, The Nick Straker Band, S'Express, Felix, The Prodigy, Haddaway, Q-Tex, Messiah, Grace
This day (August 29, 1968), in Berlin, Germany, is born Michelle Lynn Johnson a.k.a Me’Shell NdegéOcello, an American singer-songwriter and bassist,. (more…)
SNAP!, Backstreet Boys, Real McCoy, Klubbheads, Kenny Thomas, CB Milton, Dannii Minogue, Hypnotone, Mousse T., Sash!, River City People, Planet Perfecto
Jeff Buckley‘s ‘Grace’ is his only complete studio album released on August 23, 1994 by Columbia.
Ministry‘s ‘ΚΕΦΑΛΗΞΘ’ [Psalm 69: The Way to Succeed and the Way to Suck Eggs] is their fifth studio album produced by members Al Jourgensen and Paul Barker and released on July 14, 1992 by Sire