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Elastica’s “Line Up” captures mid-’90s Britpop energy with punk influences, shining despite its brief chart tenure, while “Aeroplane” by Red Hot Chili Peppers balances funk theatrics and playful whimsy, marked by Flea’s bass and a quirky kids’ choir. Meanwhile, Air’s “Sexy Boy” stands out for its catchy production, grounded by a clever bassline, though its tongue-in-cheek charm overshadows depth.

My Bloody Valentine’s “To Here Knows When” flips convention, crafting a textured shoegaze haze, while Nitzer Ebb’s “Lightning Man” delivers hypnotic EBM intensity. Anthrax switches gears with “Nothing,” favoring groove-driven metal, and Chris Rea’s “Auberge” leans into nostalgic, bluesy rock. From My Bloody Valentine’s layered abstraction to GusGus’s sleek “Polyesterday,” each holds a unique chapter in ’90s sound evolution.