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Flash and the Pan, The Bluebells, Pixies, Gary Numan, Neneh Cherry, David Bowie, Electric Light Orchestra, Depeche Mode, Anthrax, Judas Priest, Icehouse, Iron Maiden
Columbo, Olive, The Bluebells, The Bluetones, Candy Flip, ZZ Top, The Cranberries, Texas, Skunk Anansie, Air, Oasis, Orbital
Go Betweens, Status Quo, The Bluebells, M, Madness, The Men They Couldn’t Hang, The Kane Gang, Breakfast Club, Kraftwerk, The Lotus Eaters, The Sisters Of Mercy, Alien Sex Fiend
The page highlights diverse ‘80s tracks, like Dexys Midnight Runners’ brassy tribute “Geno,” blending fan-to-idol narrative with fiery saxophones, and The Icicle Works’ “Evangeline,” a moody neo-psychedelic piece reflective of its late-’80s era. Sammy Hagar’s raw “I’ve Done Everything For You” contrasts with Rainbow’s polished “I Surrender,” led by Joe Lynn Turner’s radio-friendly vocals, while Scorpions’ “Passion Rules the Game” balances rock grit with melodic finesse.
Other notable mentions include the jangle-filled optimism of The Bluebells’ “Cath,” The Silencers’ Celtic-tinged “I See Red,” and The Dickies’ playful punk postcard “Fan Mail.” Ratt’s glam-metal anthem “You’re In Love” rides on confidence but sticks close to formula, and Cockney Rejects’ gritty “Bad Man” narrates East End strife. Spider’s “Gimme Gimme It All” channels defiant hard rock energy but feels tethered to its influences, offering snapshots of the decade’s evolving sounds.
David Bowie, Shakin’ Stevens, Japan, Bon Jovi, The Dogs D’Amour, Julian Cope, The Bluebells, Pretenders, Fat Larry’s Band, The Alarm, Hanoi Rocks, Gun
The Jam’s “In the City” charges with punk urgency, critiquing authority in urban life, while The Damned’s gothic “Eloise” thrives on dramatic excess, reaching No. 3 on UK charts. Morrissey spins fame and infamy into the glam-tinged “The Last of the Famous International Playboys,” and INXS balances rock balladry with polish in “This Time.” AC/DC’s bawdy swagger comes alive in “Let’s Get It Up,” while Peter Frampton blends sleek ’80s production and emotive guitar work in “Lying.” The Boomtown Rats experiment with reggae-rock on “A Hold of Me,” offering a moody departure from their earlier hits.