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>> EN FRANCAIS | >> EN ESPAÑOLTODAY We Listen To R.E.M., Bob Dylan, Natalie Cole, Elton John, Buddy Rich, Gil Evans, Gillian Welch We Celebrate Albert Louis Hammond Jr., The Strokes, My Chemical Romance,…
This day (March 23, 1953), in Chicago, Illinois, is born Yvette Marie Stevens a.k.a. Chaka Khan, an American singer.Tracklist : 1 . Band Rehearsal (2022) 2 . Like Sugar (2019)…
Eric Clapton's 'Reptile' is the fifteenth studio album featuring Billy Preston and The Impressions and released on March 13, 2001 by Duck / Reprise.Track Listing : 1.Reptile (Eric Clapton) -…
LCD Soundsystem's 'Sound of Silver' is their second studio album produced by the DFA and released on March 12, 2007 by DFA / Capitol Records.Track Listing : 1.Get Innocuous! (James…
How well do you know the music of China Crisis, Laid Back, Elvis Costello, Peter Murphy, Roger Daltrey, Erasure, Gary Numan, The Wonder Stuff, Depeche Mode, Ramones, Billy Idol, The Art of Noise
? Take our 12-track quiz.
Aguib drops “BMF,” adding to his French rap catalog with tracks like “Vinicius” and “Zone à risque.” M.G.L. and Gaga team up on “MAYBACH,” blending trap and drill. Favé’s “Saturday” leans into introspection with brooding production. Protoje’s “BIG 45” channels Jamaican sound system culture, while Govana’s “My Will” tackles legacy over a dancehall beat.
Pablo YG and A-Suh Boss bring high-energy dancehall on “Incapacitate.” Benjazzy’s “Notforsale” fuses trap and drill, while Beendo Z showcases sharp freestyling in “Manifestation.” ONEFOUR and Mabel merge drill and pop on “Phone Call,” sampling Bob Marley’s “Is This Love?” Chip delivers grime precision in “Function Riddim,” and Idrae injects paranoia into “Another One” over a dancehall groove.
Updated : Mar 11,2025
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Tracks like Flo Rida’s “Low” with its crunk-era vibe and T-Pain’s iconic hook captured mid-2000s nightlife, while Usher’s “Yeah!” featuring Lil Jon and Ludacris blended R&B charm with crunk energy to dominate charts globally. Beyoncé’s “If I Were a Boy” stripped back flash for emotional depth, creating a poignant yet polished ballad, and 50 Cent’s “P.I.M.P.” paired steel drum loops with swagger, balancing mainstream appeal and gritty themes.
Meanwhile, Afroman’s “Because I Got High” turned stoner humor into a worldwide hit, contrasting with 2Pac’s reflective “Thugz Mansion,” which sought peace amidst turmoil. Ne-Yo’s “Mad” delivered polished vulnerability, and Wyclef Jean and Mary J. Blige’s emotive “911” leaned into melodramatic storytelling. Wu-Tang Clan’s “Gravel Pit” thrived on chaos, while Sisqó’s “Got to Get It” served as a stepping stone to his solo heights.
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Ikkimel’s “Böser Junge” blends canine metaphors with club influences. Stela Cole’s “Stereoqueen” reworks Destiny’s Child for playful defiance. Chirine Lajmi’s “Ta3abni Fra9ou” mixes Arabic pop with heartache. Delia’s “Dor” combines electronic textures with introspection.
Lisa Hyper’s “Bitter Sweet” captures dancehall turbulence. Rose Villain’s “Fuorilegge” blends genres for Sanremo 2025. Halsey releases punk-infused “Safeword.” HEYOON’s “ASAP” teams with Chris Patrick for viral pop. Loana’s “À Petit Feu” highlights Réunion’s rising talent.
Updated : Feb 28,2025