Me:nu Du Jour February 4 (EN.FR.ES)

>> EN FRANCAIS | >> EN ESPAÑOLTODAY We Listen To Janet Jackson, Fleetwood Mac, James Blake, Echo & the Bunnymen, George Benson, Tony Bennett, Charles Mingus, Miles Davis, Duke Ellington We Celebrate Karen Carpenter,…

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This week In Jazz Legends 05/52

Bill Evans’ moody “Nardis” evolves into an introspective canvas, while Carmen McRae’s haunting take on “Round Midnight” fuses jazz clarity with late-night ache. The Modern Jazz Quartet reshapes “Softly, as in a Morning Sunrise” with chamber precision, and Ella Fitzgerald’s duet with Sammy Davis Jr. on “‘S Wonderful” brims with charm and playful chemistry. Donald Byrd’s groovy “Black Byrd” blends jazz with funk, and Wayne Shorter’s cerebral “Footprints” challenges rhythmic norms. Herbie Hancock’s “Rockit” pushes turntables into center stage, a futuristic clash of funk and electronica, while Weather Report’s “Badia” and “Boogie Woogie Waltz” showcase atmospheric restraint and bold grooves.

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This week In Jazz Legends 04/52

Wes Montgomery’s “West Coast Blues” showcases his inventive thumb-picked technique and octave work, supported by Tommy Flanagan’s piano and Percy Heath’s bass, while Benny Golson’s take on “Take The A Train” blends respect for tradition with a fresh swing. Freddie Hubbard’s “Red Clay” leans into groovy jazz fusion, anchored by Ron Carter’s bass and Herbie Hancock’s electric piano. Rahsaan Roland Kirk’s “Seasons” packs layered improvisations, balancing chaos and thoughtfulness, while Joe Lovano’s “Sounds of Joy” offers playful unpredictability within a minimalist trio. Sonny Rollins’ “Alfie’s Theme” merges cinematic flair with jazz brilliance, and Lenny White’s “Wolfbane” grooves through controlled fusion. Michael Brecker’s “Broadband” bursts with layered orchestral energy, while the SFJAZZ Collective reinvents Chick Corea’s “Spain” with ensemble-driven precision. Finally, Chick Corea and Gary Burton’s “Rhumbata” highlights their seamless duo chemistry with understated charm.

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