Explore 20 popular Alt Z tracks. This list features genre-crossing artists like Tate McRae, Faouzia, Sam Smith, Sub Urban, and Melanie Martinez. Each entry highlights unique blends of pop, indie, and electronic influences, with production and theme details for each song.
Lorde’s “What Was That” leans into synth-pop heartbreak with sharp nods to MDMA memories and New York nostalgia. Jennie’s “Seoul City” drapes mellow R&B over Mike WiLL Made-It’s production, pairing yearning lyrics with blurred city lights and sparking BTS-related rumors. James Arthur’s “Cruel” spins self-inflicted wounds into polished pop-rock as he eyes his next album. MORE
Updated : Apr 27,2025
Amy Winehouse, Justin Timberlake, Jason Mraz, Melanie C, A1, Westlife, Appleton, Dido, James Morrison, Daniel Bedingfield, Leona Lewis, Timbaland
Kasabian, Fall Out Boy, Feeder, Mànran, Raye, Mabel, Stefflon Don, Madness, Half Moon Run, Annie Lennox, Onerepublic, The Temper Trap, Ellie Goulding, Muse
Good Charlotte, One Night Only, Empire of the Sun, Eels, Eminem, Planet Funk, Black Eyed Peas, First Aid Kit, Death In Vegas, The Prodigy, OneRepublic, Coldplay
Every two weeks, we update our “Most Famous 2020s [music genre] from the Last 30 Days” series, capturing key trends across 16 genres.
This edition introduces new chart-toppers, surprise re-entries, and emerging hits shaping the global music landscape. From Rosé’s latest solo release to Kendrick Lamar’s bold new entry, these rankings highlight how listener preferences evolve. Stay updated with the freshest shifts in pop, hip-hop, R&B, and beyond.
Everything Everything’s “Kemosabe” mixes art rock and R&B with Jonathan Higgs’ falsetto taking center stage, while Amy Winehouse’s “Our Day Will Come” reimagines a ’60s classic with a reggae touch. Biffy Clyro’s “Black Chandelier” balances raw emotion and soaring melody, and Bring Me The Horizon’s “Shadow Moses” blends metalcore punch with electronic textures. Robbie Williams’ swing-inspired “Go Gentle” adds warmth and nostalgia, and Noel Gallagher’s “Ballad of the Mighty I” experiments with disco-rock, boosted by Johnny Marr’s standout guitar work. Meanwhile, Kaiser Chiefs’ “I Predict a Riot” oozes indie energy, OneRepublic’s “All the Right Moves” opts for polished pop-rock, and Train’s “Drops of Jupiter” stays timeless with its cosmic orchestration.
