May 16, 2014 - James Hetfield and Kirk Hammett are due to play the National Anthem before the SF Giants vs Miami Marlins at AT&T Park in San Francisco
We Listen To Santana, Isaac Hayes, A Tribe Called Quest, Leona Lewis, Eurythmics, Tom Petty & The Heartbreakers, Wu-Tang Clan, Elvis Presley, Billy Joel, Men At Work, Madonna, Hiromi Uehara, Cassandra Wilson, Aphex Twin
We Celebrate Susan Tedeschi, Miriam Makeba, French Montana
We Watch Michael Jackson, Jamie Cullum, Axl Rose, Slash, Kirk Hammett, James Hetfield, Sebastian Bach, Beth Orton, AC/DC, Alanis Morissette, Peter Gabriel, Nirvana, Joss Stone, Beverley Knight, Bon Jovi, The Residents, David Crosby, Graham Nash, Melody Gardot, R.E.M., Jerry Garcia Band, Mariah Carey, Justin Timberlake, Elton John, Radiohead, Billie Eilish, Roger McGuinn, Joan Jett, Philip Anselmo, Khruangbin, Slayer, Aurora, Peter Gabriel, Sarah Vaughan, Miles Davis, Allan Holdsworth, John Scofield, Art Blakey, Dizzy Gillespie, Thelonious Monk
John Scofield, Stanley Jordan, Eric Clapton, Jeff Beck, Derek Trucks, Joe Satriani, Steve Vai, Robert Fripp, Dimebag Darrell, Slash, Kirk Hammett, Yngwie Malmsteen
22Gz, Kirk Hammett, The Crystal Method, Editors, Harkin, The Smile, Carrtoons, Parov Stelar, Deaton Chris Anthony, Mt. Joy, Built to Spill, Wiz Khalifa, Big K.R.I.T., Smoke DZA & Girl Talk
Metallica's 'Master of Puppets' is their third studio (six times platinum) album produced by Flemming Rasmussen and released on March 3, 1986 by Elektra Records.Track Listing : 1.Battery (James Hetfield,…
Black Sabbath’s “N.I.B.” from their 1970 debut is a bold blend of Tony Iommi’s heavy riffs and Geezer Butler’s bass intro, complemented by Ozzy Osbourne’s haunting vocals, depicting Lucifer’s transformation through love. Metallica’s “Damage, Inc.,” closing their 1986 “Master of Puppets,” delivers raw thrash energy, driven by Cliff Burton’s layered bass intro and technical precision, cementing its place as a live favorite.
AC/DC’s “Thunderstruck” from 1990’s “The Razors Edge” thrives on Angus Young’s hypnotic guitar riff, bringing arena rock fervor despite its catchy simplicity. Guns N’ Roses’ “Welcome to the Jungle” unleashes urban chaos with Slash’s slithering guitar riff and Axl Rose’s piercing wails. Rush’s “YYZ,” a prog-rock marvel from 1981’s “Moving Pictures,” dazzles with its 10/8 time signature and seamless interplay between Geddy Lee, Neil Peart, and Alex Lifeson.
Van Halen’s “She’s the Woman” bridges 2012 and the ’70s with Eddie’s inventive guitar work and David Lee Roth’s charismatic but patchy vocals. Meanwhile, Metallica’s “Creeping Death,” driven by its thrash energy and iconic “Die Die Die!” chant, thrives as a live staple while turning biblical narrative into an arena anthem. Soundgarden’s “Spoonman” melds gritty spoon solos with shifting time signatures, showcasing their experimental edge.
Aerosmith’s “Walk This Way” pairs Perry’s swaggering riff with Tyler’s playful storytelling, earning new life in their Run-DMC collaboration. Pantera’s “Walk” delivers a no-nonsense, riff-heavy punch with Anselmo’s confrontational lyrics, cementing its place in metal history. Guns N’ Roses’ “Civil War” critiques human conflict with emotional gravity, blending haunting whistling and sharp lyrics into a sprawling rock statement.
Kiss’s “War Machine” snarls with heavy riffs and ominous lyrics, while Iron Maiden’s “Aces High” channels WWII dogfights with galloping energy. Van Halen’s “Don’t Tell Me” brims with tension and grinding guitars, and Alice Cooper’s “No More Mr. Nice Guy” delivers satirical rebellion with pop-rock flair. Deep Purple’s “Burn” dazzles with fiery riffs and dual vocals, and AC/DC’s “Down Payment Blues” humorously laments financial struggles. Guns N’ Roses tackle heroin excess in “Mr. Brownstone,” and Metallica’s “Spit Out the Bone” thrashes against a dystopian tech future. From Billy Idol’s swaggering “Rebel Yell” to Alice in Chains’ raw “Dam That River,” each track balances grit and intensity.