Julian 'Cannonball' Adderley's 'Somethin' Else' is an album recorded on March 9, 1958 with Miles Davis and released the same year by Blue Note.Track Listing : 1.Autumn Leaves (Joseph Kosma,…
The 1975, Kenny Wayne Shepherd Band, Papa Roach, Silversun Pickups, Idles, Ibrahim Maalouf & Dear Silas, Olan Monk, Marsh, Sam Ryder, Adam Lambert, Waterparks, Julia Wolf
Camilo, Nicki Nicole, Beach Bunny, Crying Vessel, Dylan Fraser, Cuco, Plastic Mermaids, Porij, Julia Wolf, MorMor, Show Me The Body, Oceans Of Slumber, FKJ
Finneas, Benson Boone, Kelvin Jones, Guru Randhawa, Jaylann, Jubin Nautiyal . Asees Kaur, Jhonni Blaze, James Morrison, Phora, Julia Wolf, Ciro Quiñonez . Yeison Jimenez, Anitta They are the performers…
[tabs] [tab title="J"] J BALVIN . Website . Instagram . Amazon J COLE . Instagram . Amazon J DILLA . Amazon J GEILS BAND . Facebook . Amazon J HOLIDAY…
Sam Rivers ' 'Dimensions & Extensions' is an album recorded on March 17, 1967 and released in 1986 by Blue Note.Track Listing : 1.Precis (Sam Rivers) - 05:21 . 2.Paean…
Marty Friedman’s “Tearful Confession” showcases guitar skills. Bleed From Within’s “God Complex” blends metalcore and groove. Deathless Legacy’s “Sanctified” mixes gothic and symphonic metal. Dying Wish explores melodic metalcore on “I Brought You My Soul.” Phil X & The Drills rock with Tommy Lee on “Fake The Day Away.”
Imperial Triumphant’s “Pleasuredome” fuses extreme metal and jazz. Black & Damned delivers heavy metal in “Red Heavens.” ACCVSED combines metalcore with vulnerability on “Don’t Let Me Fall Apart.” Rotting Christ performs live classic “Κατά τον Δαίμονα Εαυτού.” Unleash The Archers powers through “Gods In Decay.” Lay of the Autumn soars with “Thrown Away.”
Updated : Mar 5,2025
Franz Ferdinand’s swagger-filled “Ulysses” pairs angular guitars with nocturnal chaos, while Arctic Monkeys’ “When the Sun Goes Down” delivers gritty realism through sharp, vivid storytelling. My Chemical Romance’s “Welcome to the Black Parade” channels emo grandeur with theatrical flair, and Eminem’s haunting “Stan” dissects obsession. Meanwhile, Coldplay’s “Life in Technicolor ii” balances global rhythms with polished pop-rock, and Benny Benassi’s “No Matter What You Do” loops hypnotic beats into early 2000s club vibes. Mint Royale’s quirky “Blue Song” fuses humor with pulsing electronica, while Thirty Seconds to Mars’ soaring “From Yesterday” indulges in cinematic ambition. Each track finds its unique place in a broad spectrum of storytelling and sound.