Adam Ant, Roni Size Reprazent, Soundgarden, Depeche Mode, Pop Will Eat Itself, The Cranberries, Savage Garden, The Beatles, Julee Cruise, Muse, Madonna, Elton John
Annie Lennox, Julee Cruise, Faith No More, Phil Collins, Ian Brown, Tracie Spencer, Wet Wet Wet, Shola Ama, Alexander O’Neal, Jon Secada, The Other Two, Scooch
White Town’s “Your Woman” flips gender norms with ironic lyrics over a ’90s-meets-1930s groove, while Tori Amos’s “Professional Widow” snarls with harpsichord-driven confrontations and became a club anthem through Armand van Helden’s remix. Jimmy Somerville’s “Heartbeat” mixes falsetto with synth-pop dance energy, and Catatonia’s cheeky “Mulder and Scully” weaves Britpop with pop culture flair. Garbage’s “Milk” melds trip-hop and alt-rock melancholy, and Björk’s dramatic “It’s Oh So Quiet” bursts with brass and theatricality. Meanwhile, Dub War’s “Enemy Maker” fuses metal, punk, and reggae, and Carter USM’s “The Young Offender’s Mum” tackles societal woes with biting wit.
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