Jonas Hellborg, Shawn Lane are on Swedish TV with Indian percussionists (2003)
March 29, 2003 - Jonas Hellborg, Shawn Lane together with percussionists T.H.Vikku Vinayakram and Ramakrishnan play at the "Jazz Celebration Festival" on Swedish TV
March 29, 2003 - Jonas Hellborg, Shawn Lane together with percussionists T.H.Vikku Vinayakram and Ramakrishnan play at the "Jazz Celebration Festival" on Swedish TV
February 19, 1987 - English guitarist John McLaughlin and Swedish bass Jonas Hellborg will share the stage at Fabrik in Hamburg, Germany
August 19, 1996 - (and tomorrow) Jonas Hellborg, Shawn Lane and Jeff Sipe will perform together in Atlanta
June 19, 1998 - Jonas Hellborg (b), Shawn Lane (g) and Félix Sabal Lecco (d) play together at the Warsaw Poland Summer Jazz Days
April 22, 2002 - Jonas Hellborg (b), Shawn Lane (g) and Jeff Sipe (d) perform in Falls Church, VA for the Earth Day Celebration.
February 20, 2003 - American "super fast" guitarist Shawn Lane, Swedish bassist Jonas Hellborg and Italian drummer Andrea Marchesini play together at Vanapa Hall in Aizawl, India
Tony Iommi, Robin Trower, Robben Ford, Wayne Krantz, Nels Cline, Steve Morse, Buckethead, Steve Vai, Charlie Hunter, John Mclaughlin & Jonas Hellborg, Jukka Tolonen & Coste Apetrea, Al Di Meola
Pat Metheny’s reworking of Carly Simon’s “That’s The Way I Always Heard It Should Be” transforms its emotional weight into intricate instrumental nuances, highlighted by the unique 42-string Pikasso guitar. Shawn Lane’s “Rice with the Angels” takes a more chaotic yet cohesive approach, blending fusion and jazz elements in a raw, immersive live performance alongside Jonas Hellborg and Jeff Sipe, creating a soundscape that’s both intense and intricate.
Rory Gallagher injects lively storytelling into “Secret Agent” from his 1976 album “Calling Card,” pairing cheeky themes with energetic slide guitar, while Eric Clapton and Jeff Beck’s live duet on “Little Brown Bird” showcases subtle blues interplay over showy technique. Steve Hackett’s “Every Day” balances personal gravity with prog-pop charm, highlighted by shifting guitar tones and thoughtful arrangements, making it a standout on his *Spectral Mornings* album.