The Jackson 5 's 'Skywriter' is their eighth studio album produced by Hal Davis and released on March 29, 1973 by Motown. Track Listing : 1.Skywriter (Mel Larson, Jerry Marcellino)…
Prince & The Revolution, Rob Base & DJ EZ Rock, Keith Sweat, Third World, Rochelle, Cevin Fisher, Jellybean, Gibson Brothers, Mantronix, Aswad, Frankie Goes To Hollywood, Shakin’ Stevens
UB40’s “Rat in Mi Kitchen” combines an upbeat reggae rhythm with political edge, using a metaphorical rat to critique Margaret Thatcher’s government. Catchy horns and Ali Campbell’s vocals drive its charm. Blondie’s “Call Me,” penned for *American Gigolo*, captures late-night energy with Debbie Harry’s dynamic delivery atop Giorgio Moroder’s production, reigning atop charts with its infectious swagger.
Elvis Costello’s energetic rework of “I Can’t Stand Up for Falling Down” transforms heartbreak into danceable urgency, while Freeez’s electro-funk “IOU” pushes early ‘80s sampling tools for a slick, tech-forward vibe. Simply Red’s funk-inspired “The Right Thing” melds polish with Mick Hucknall’s bold vocals, and Matt Bianco’s lively “Get Out of Your Lazy Bed” spreads jazz-infused cheer, daring listeners to stay put.
Herbie Hancock’s “Rockit” broke barriers with its fusion of jazz, funk, and early ‘80s electronic beats, amplified by DXT’s innovative turntable work and a surreal music video. Whitney Houston’s “How Will I Know” rides a vibrant wave of synth-funk and pop, showcasing her vocal agility within a playful production. Eddy Grant’s “Electric Avenue” masks sharp social commentary under an infectious reggae-pop groove, while Heatwave’s “Gangsters of the Groove” leans into sleek early ‘80s funk precision. The Blow Monkeys’ “It Doesn’t Have to Be This Way” combines catchy hooks with sly social critique, and The Belle Stars’ “Sign of the Times” pairs playful new wave energy with cynical wit. Meanwhile, Alisha’s “Baby Talk” captures the freestyle sound of the mid-’80s, and Mantronix’s “Who Is It” delivers a restless, genre-pushing blend of electro-funk and old-school hip-hop.
Inner City’s “Do Ya” mixes techno with jazz-swing vibes, hitting #44 in the UK and #5 on US Dance charts, while Rozalla’s take on “I Love Music” brings ‘90s energy to The O’Jays’ classic, topping US dance charts. Sugar Ray’s breezy “Fly” fuses reggae and pop, capturing late ‘90s optimism, as Skunk Anansie’s intense “Twisted (Everyday Hurts)” merges raw emotion with sharp guitars. Five’s cheeky “Slam Dunk (Da Funk)” oozes playful swagger, and M People’s “How Can I Love You More?” shines with Heather Small’s commanding vocals, becoming a club staple. Meanwhile, Captain Hollywood Project’s “Impossible” blends Eurodance with Kim Sanders’ emotional vocals, and Deuce’s “Call It Love” delivers radio-friendly charm with upbeat melodies. Dream Frequency’s “Feel So Real” bursts with euphoric rave vibes, and London Boys’ “Freedom” keeps things light, offering feel-good escapism.
Janet Jackson's 'Control' is her third studio album produced by Jam and Lewis and released on February 4, 1986 by A&M. Track Listing : 1.Control (James Harris Iii, Terry Lewis,…
Sheena Easton’s “The Lover in Me” rewired her sound with sultry vocals and crisp beats, while Bonnie Tyler brought grit to “The Best” before Tina Turner’s version took over. Starship’s “Sara” leaned on plush synths and heartbreak, and Huey Lewis and The News charmed with “Do You Believe in Love.” Meanwhile, Linda Ronstadt’s “I Knew You When” offered quiet nostalgia, and Agnetha Fältskog’s “The Last Time” dabbled in wistful soft rock. Each track reflects distinct flavors of the ‘80s, blending polished production with emotional nuance.
Eddy Grant’s “Gimme Hope Jo’anna” pairs reggae grooves with a critique of apartheid, while Kool Moe Dee goes bold with the pointed “How Ya Like Me Now.” Sheila E. and Prince bring irresistible funk energy to “A Love Bizarre,” and Madonna’s “Holiday” channels carefree optimism. Joe Smooth’s “Promised Land” delivers house-fueled hope, while Sabrina’s flirty “Boys” captures Italo disco’s peak.