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The page spotlights standout tracks like The Specials’ urgent “Too Much Too Young,” critiquing societal norms with sharp ska rhythms, and XTC’s quirky “Senses Working Overtime,” blending medieval melodies with pop. Echo & The Bunnymen’s brooding “The Cutter” adds Eastern-inspired strings, while The Jam’s dynamic “Strange Town” captures urban dislocation. Jefferson Starship’s rock-leaning “Jane” and Julian Cope’s multi-layered “Trampolene” tackle tension and introspection with bold instrumentation. Theatre of Hate’s haunting “Do You Believe in the Westworld?” and The Stranglers’ gritty “(Get A) Grip (On Yourself)” channel post-punk energy, while The Boomtown Rats’ witty “Someone’s Looking at You” critiques surveillance culture with a sharp New Wave edge.