Happy Birthday Ja Rule
September 29, 1976 - Today we wish Happy Birthday to American rapper, Jeffrey Bruce Atkins better known as Ja RuleTracklist : 1 . Mesmerize (w/ Ashanti) 2 . Wonderful (w/…
September 29, 1976 - Today we wish Happy Birthday to American rapper, Jeffrey Bruce Atkins better known as Ja RuleTracklist : 1 . Mesmerize (w/ Ashanti) 2 . Wonderful (w/…
Tony Bennett's 'If I Ruled the World: Songs for the Jet Set' is a studio album arranged by Don Costa and released on April 19, 1965 by Columbia.Track Listing :…
Tears For Fears' 'Songs from the Big Chair' is their second studio album featuring 'Shout' and 'Everybody Wants to Rule the World,' produced by Chris Hughes and released on February…
Bill Evans’ moody “Nardis” evolves into an introspective canvas, while Carmen McRae’s haunting take on “Round Midnight” fuses jazz clarity with late-night ache. The Modern Jazz Quartet reshapes “Softly, as in a Morning Sunrise” with chamber precision, and Ella Fitzgerald’s duet with Sammy Davis Jr. on “‘S Wonderful” brims with charm and playful chemistry. Donald Byrd’s groovy “Black Byrd” blends jazz with funk, and Wayne Shorter’s cerebral “Footprints” challenges rhythmic norms. Herbie Hancock’s “Rockit” pushes turntables into center stage, a futuristic clash of funk and electronica, while Weather Report’s “Badia” and “Boogie Woogie Waltz” showcase atmospheric restraint and bold grooves.
>> EN FRANCAIS | >> EN ESPAÑOLTODAY We Listen To Canned Heat, Miles Davis, Ludovico Einaudi, Kurt Elling We Celebrate Robert Del Naja, Massive Attack, Richie Havens, Peggy Lee, Billy Ocean We Watch Jackie…
January 21, 1986 - The Dictators will be on stage at the Ritz in New-York City
Ella Fitzgerald's 'Ella in Japan:'s Wonderful' is a live album recorded on January 19 and 22, 1964 at Hibiya Public Hall and Hotel Okura in Tokyo, Japan and released in…
Gerry Mulligan’s breezy “Out Back of the Barn” pairs his warm baritone sax with Ben Webster’s swinging tenor for a relaxed cool jazz charm. Herbie Hancock’s “Air Dancing” thrives on live spontaneity with Buster Williams and Al Foster, while Miles Davis’s funk-tinged “Jean-Pierre” captures his 1981 comeback’s raw tension. Ornette Coleman’s “Turnaround” bends blues traditions, inspiring fresh takes like Dave Liebman’s funkier spin. Jean-Luc Ponty’s “Final Truth” blends ‘80s jazz fusion with polished synth textures, and Billy Cobham’s gritty “Brick Chicken” bridges fusion and funk with outright precision. “Sorceress” from Return to Forever storms through jazz-rock-funk elements, and Jason Moran reimagines “Fire Waltz” with sharp rhythmic twists. Eliane Elias infuses “Waltz for Debby” with Brazilian flair, Luka Loueke fuses jazz with African grooves on “Jumps The Blues,” and Charlie Hunter’s playful “St. Louis Blues” merges tradition with technical reinvention. Finally, Nels Cline and Fred Frith’s experimental guitar sessions ignite chaos and texture beyond convention.