Cocteau Twins visit Amsterdam (1983)
January 29, 1983 - British band Cocteau Twins will be on stage at De Meervaart in Amsterdam, Holland
January 29, 1983 - British band Cocteau Twins will be on stage at De Meervaart in Amsterdam, Holland
Cocteau Twins's "Treasure" is their third studio album released on November 1st, 1984 by 4AD.Track Listing : 1.Ivo (Elizabeth Fraser, Robin Guthrie, Simon Raymonde) - 03:53 . 2.Lorelei (Elizabeth Fraser,…
Cocteau Twins' 'Heaven or Las Vegas' is their sixth studio album self-produced and released on September 17, 1990 by 4ADTrack Listing : 1.Cherry-Coloured Funk (Cocteau Twins) - 03:12 . 2.Pitch…
The Christians, Nick Cave & The Bad Seeds, Madder Rose, Pet Shop Boys, Right Said Fred, The 4 Of Us, Echobelly, Chapterhouse, Shed Seven, Cocteau Twins, Cast, Dune
Johnny Hates Jazz, Bryan Adams, Iron Maiden, ZZ Top, Julian Lennon, INXS, Cutting Crew, Saxon, B-Movie, Cocteau Twins, Siouxsie And The Banshees, The Pogues
George Michael, Van Morrison, Nick Cave & The Bad Seeds, Jimmy Nail, Dina Carroll, Hootie & The Blowfish, Cocteau Twins, Take That, Jon B., Deborah Cox, Martika, David A. Stewart
Guns N’ Roses give Dylan’s “Knockin’ on Heaven’s Door” swagger and spectacle, with Slash’s electrifying solos and a gospel choir turning it into a live eulogy. Billy Idol’s “Rebel Yell” channels 80s excess through snarling riffs and defiant energy, while Alice Cooper’s “School’s Out” doubles as a rebellious anthem of teenage freedom. Blondie’s pop-reggae spin on “The Tide Is High” highlights their genre-bending charm, and Prince’s “Controversy” pairs funk grooves with bold provocations on identity and society. Santana’s “Deeper, Dig Deeper” dives into fusion chaos, and Leonard Cohen’s ominous “First We Take Manhattan” balances dark humor with synth-layered intensity. Cocteau Twins’ “Wax and Wane” adds a metallic edge to their ethereal roots, while Art of Noise’s “Close (to the Edit)” disrupts pop with experimental absurdity.
New Order’s quirky “Fine Time” captures late ’80s acid house vibes with its hypnotic loops and playful sheep noises, while Cocteau Twins’ dreamy “Hitherto” immerses listeners in swirling guitars and Elizabeth Fraser’s ethereal vocals. Laura Branigan’s “Self Control” pairs synth-pop sheen with themes of temptation, and Strawberry Switchblade’s “Since Yesterday” hides Cold War anxiety beneath a sugary pop exterior. Meat Loaf’s “Razor’s Edge” embraces a grittier, grounded rock moment, and Haysi Fantayzee’s eclectic “Shiny Shiny” masks anti-nuclear anxiety with theatrical absurdity. Each track reflects its time, mixing experimentation with bold styles and unforgettable quirks.